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There’s something emotionally disarming about baby cows. They carry an immediate softness to them – curiosity, innocence, gentleness, vulnerability. Even their proportions feel designed to evoke care and emotional connection. Large eyes, oversized ears, small bodies, uncertain posture. They feel both fragile and deeply present at the same time. The Baby Cow Spring Collection emerged from that feeling. Muskoka artist creating handmade clay animal sculptures in Canada.

There’s something deeply grounding about shaping small beings slowly by hand. The Spring 2026 Collection: A Gathering of Earthlings emerged through quiet observation, instinct, and a deep connection to the natural world. This body of work explores handmade clay animal sculptures as emotional forms – small beings that exist somewhere between realism, memory, folklore, and imagination. Over time, bears, owls, rabbits, baby cows, snails, fungi, and woodland - inspired creatures

There is a light that doesn’t belong. It lingers within the landscape – unnatural, persistent, and impossible to ignore. A glow that carries both beauty and destruction. Something we are drawn to, even as we understand its cause. Anthropic Glow Series – An Ode to Planet Earth explores this tension.

The work I create tends to live in that space. Rooted in nature, but not fixed to it. A landscape that feels real, but slightly altered. A creature that exists somewhere between observation and imagination. Forms that hold both presence and change at once.